Tag Archive: David Lynch


Movies for perverts

THE PERVERT’S GUIDE TO CINEMA written and presented by Slavok Žižek (Directed by Sophie Fiennes, 2006)
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The title of this enlightening three-part documentary is eye-catching but likely to be misleading.

A pervert is someone whose sexual behaviour is considered abnormal or unacceptable but this film is not a guide for those seeking gratification from soft or hardcore porn in modern movies.

The unconventional Slovenian philosopher & psychoanalyst examines how the function of cinema is to mediate between our ‘illicit’ drives and our socially conditioned actions.

In Freudian terms, this is the internal struggle between the id and the super-ego. Žižek states provocatively  that “we need the truth of a fiction to express what we really are” or, more ambiguously, “desire is a wound of reality”.

Watching movies, he argues, is not merely an escapist pastime but an essential means by which to show how reality is constructed. Continue reading →

goodreads 2018.jpgSince 2014, I have set and maintained a relatively modest reading target on ‘Goodreads‘ of 50 titles a year. I find this website invaluable at the end of year when it comes to reviewing the books I’ve read.

Being gifted, and being thoroughly absorbed by, Kazuo Ishiguro’s ‘The Buried Giant’ led me to a reappraisal of the Nobel Prize Winner. Up until then, I’d read only ‘Remains Of The Day’ and hadn’t been particularly drawn to his other novels. The slow, deliberate pace and absence of colloquial language put me off but now this actually drew me in. Perhaps it’s an age thing. Ishiguro skillfully takes the reader deep into the mind and, above all, the memories of his characters. The only novel of his I haven’t read is ‘The Unconsoled’. Aside from the uncharacteristically messy ‘When We Were Orphans’, I rated all of his works very highly.

Getting fixated on this male author sabotaged my resolve to read more female writers this year. By the end of the year only 20 of the 50 were by women. Of these, my two favorite novels, one old and one new, were Sarah Waters’ quietly subversive ‘Fingersmith’ and Gail Honeyman’s funny/sad study of loneliness : ‘Eleanor Oliphant Is Completely Fine’. Continue reading →

A bio-friendly David Lynch

ROOM TO DREAM by David Lynch & Kristine McKenna (Canongate Books, 2018)
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This is book for those who love David Lynch and his unique art life. If this part memoir-part biography is to be believed, this includes approximately 99% of the population.

In all the interviews with friends, family, ex-wives and actors practically no-one has a bad word to say about him and the level of critical analysis is about as deep as an article in Hello magazine. I’m a huge admirer of Lynch’s work but even I wearied the constant fawning tone adopted by journalist Kristine McKenna.

The book’s structure provides that a chapter of biographical details by McKenna is followed by one by Lynch who corrects any errors and adds his own memories. The introduction states: “What you’re reading here is basically a person having a conversation with his own biography”.

In principle this seems like a good plan. What we know of Lynch  is that he plays his cards very close to his chest. He gives relatively few interviews and never explains his strange visions. The most you’ll get out of him is that his ideas come from dreams, chance encounters or overheard snippets of conversation. Continue reading →

‘Twin Peaks Season 3 – The Return’ directed by David Lynch

twinpIt goes without saying that David Lynch divides audiences. His surreal visions of the world and the tall tales he weaves are never going to be to everyone’s taste.

The naysayers continually complain of the absence of linear narrative in his work, or point to the wilful weirdness, the stilted dialogue and the wooden acting. Actually, a lot of the time, all these criticisms are valid but what count as weaknesses in other auteurs turn into strengths in the Lynchian universe. Continue reading →

NOCTURNAL ANIMALS directed by Tom Ford (USA, 2016)

“All the animals come out at night” – Travis Bickle – Taxi Driver (1976)
“Now it’s dark” – Frank Booth – Blue Velvet (1986)

nocturnal_animals_posterInspiring comparisons with the finest works of Martin Scorsese and David Lynch is a sign of how impressed I am by this magnificent movie.

Tom Ford’s equally fine debut A Single Man from 2009 can no longer be dismissed as a one-off.

Well-established as a hugely successful fashion designer, Ford does not need further acclaim or money. Wealth does not guarantee creative inspiration but it does buy a certain freedom. Perhaps this is how he has been able to be so uncompromising and daring in his adaptation of Austin Wright’s novel Tony and Susan. Continue reading →