Tag Archive: lou reed


LOU AND LULU

220px-lou_reed_and_metallica_-_luluLou Reed is not someone who suffers fools gladly but, despite this, he is a kind of spokesman for the underdog; a poet laureate for the lost or confused.

In the lyrics to the title track of his solo album Street Hassle (1978) he wrote/sang:
“Some people got no choice
and they can never find a voice
to talk with, that they can ever call their own,
so the first thing they see
that allows them the right to be,
why, they follow it – y’know, it’s called bad luck”.

He’ll be 70 next year and these days he’s mellowed a little but not a lot. He still looks like someone I’d hate to be the wrong side of. On BBC2’s Later his appearance was of one who has lived more than one hard life.

His status as rock legend is secure, not least for writing the definitive songs about hard drugs and sado-masochism when part of Velvet Underground; Heroine and Venus In Furs respectively.

He could be forgiven for resting on his laurels and writing his memoirs or slim volumes of poetry. Instead, he can be found rocking out with Metallica for an album called Lulu, a partnership which came about when they had fun jamming together at the Rock’n’Roll Hall of Fame’s 25th anniversary concert in 2009.

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Lou and Metallica having fun!

The collection of ten songs were ready to record, having been commissioned by director-choreographer Robert Wilson. They are inspired by the femme fatale of German expressionist Frank Wedekind’s plays : Earth Spirit (1895) and Pandora’s Box  (1904). Wild side themes of desire, prostitution, death and abuse are right up Lou’s street and sound great with a heavy metal backing.

Darren (Black Swan) Aronofsky is to shoot a video for the song Iced Honey, one of two tracks Reed and Metallica performed on BBC2’s Later; the other being The View. This was the first time songs from the album have been played in public.

They also added a version of VU’s White Light, White Heat recognisable only because the words of the title, otherwise it bore little relation to the original. They rocked so hard, they can be forgiven for taking such liberties with this classic.

Above all, the partnership works really well as it takes Metallica out of Spinal Tap territory and gives a spiky edge to Lou’s words. It’s all about keeping the passion alive which it does, in spades.

Related link:
Listen to Lulu (Streaming at loureedmetallica.com/)

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

LOU REED : Walk On The Wild Side b/w Perfect Day (RCA Victor, 1972)

I thought I was someone good

Lou Reed is not renowned for being a sentimental man.

He has built his reputation on songs with Velvet Underground and beyond  about life on the dark side : suicide, prostitution, S & M and hard drugs.

This makes this song all the more surprising and touching. On the face of it, Perfect Day is a blissful romantic memory of spending quality time with a loved one. Simple pleasures of drinking Sangria in the park, a visit to the zoo and a trip to the movies are like an amalgamation of ideal  things to do with a partner. A walk on the sunny side in contrast to the A side stroll down meaner streets.

But there are black clouds on the horizon that threaten this idyll. The key line for me is when Lou sings “You made me forget myself, I thought I was someone else…..someone good”. This transforms the song from a song of innocence to one of experience. Lou does not in his wildest dreams imagine life is really like this for very long and wants us to know that he knows.

The song first appeared on the overrated 1972 album Transformer produced by David Bowie. This was Bowie doing his rescue act for a hero in crisis, an act he also performed for Iggy Pop with The Idiot and Lust For Life.

A star-studded cover for Children In Need means the song is now remembered as a message of charity and hope so any negative subtext has been effectively eliminated.

Walk On the Wild Side itself has also become a standard that has lost any shock value it might have had. It makes me smile that this was not banned by the prudes at the BBC who presumably at that time didn’t know the significance of “giving head”. I saw Lou Reed perform this live on two occasions as an encore each time. Both times he murdered it – it was like he was miffed by the fact that this has become his ‘big hit’.

Part of an irregular series of bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl. (Search ‘Backtracking’ to collect the set!)

New Order – Ceremony b/w In A lonely Place (A Factory Record, 1981)

I went to see New Order live at the Forum Ballroom, Kentish Town, London on Wednesday, 6th May 1981.

The atmosphere was electric and the intense mood was set by playing Lou Reed’s ‘Sad Song’ from ‘Berlin’ over the PA system immediately before they took the stage.

The sound quality was poor and Sumner’s vocals seemed strained. He was never a natural singer and I wouldn’t have been surprised if  New Order had split after one album. I don’t think he was ever comfortable as a Curtis imitator and they needed to change direction to get away from the past.

In 1981, they were still very much into the Gothic post-punk phase; still young men with the weight of the world on their shoulders. Continue reading

NON-RHYTHM AND BOOS

 

I was amused to read the Guardian piece about the concert staged by Lou Reed, Laurie Anderson and John Zorn at the Montreal International Jazz Festival on Friday 2nd July.

Apparently many Canadians don’t appreciate discordant improvisational skronk which Lou Reed had called ‘non-rock’ .

Apparently, some of the first cries of disapproval sounded like fans yelling Loooouuuu (perhaps there have been similar dissenters at Bruce Springsteen gigs where  boos have been mistaken as cries of Bruuuuuce!)

I have to say that those who heckled or walked out of the performance must have been pretty naive if they thought they were going to get a greatest hits package out of this threesome .Obviously, all three have flirted with the mainstream during their respective careers but with each, it’s fair to say anyone even faintly familiar with their work should know to expect the unexpected when it comes to a live show.

They were even billed in the programme notes as “musical explorer improvisers” and surely any festival worth its salt should welcome such experimentation. Free Jazz has never been about easy listening.

I would have liked to have been there to know what sort of assault on the senses they unleashed . It sounds like it was  a cool performance – hopefully someone will put out a live recording.

Photograph by: Denis Alix

I SEE A LIGHTNESS

In the cover feature for the latest (March) edition of The Wire, it’s curious to read Bonnie ‘Prince’ Billy (aka Will Oldham) described as a “fun loving soul” with a “natural bonhomie”. Continue reading